Castle ofour Skins was honored to receive a Travel-to-the-Collections grant from the
Center for Black Music Research (CBMR) in Chicago. As a result, co-artistic directors
Ashleigh Gordon and I (Anthony Green) spent a week immersing ourselves in the
massive collection of scores, audio, magazines, books, newspaper clippings,
primary and secondary sources, and other material related to composers,
performers, musicologists, and other music lovers who identify as Black or work
with artists who identify as Black. Over the course of the week, Ashe and I had
an initial objective to collect repertoire to add to a database of possible
chamber works that can be programmed during the upcoming COOS seasons. After
day one, however, we knew that other objectives would be inevitably added to
our research, and this week was simply not long enough to 100% achieve any of
them. But we would give it the old college try!
While Ashe
was busy looking up repertoire (and coming across some hits and misses), I organically
gravitated towards focusing on Black female composers. This inclination was
mainly because of books by Helen Walker-Hill, books of which I was not aware
until this research period. This line of focus lead me to discover two things:
1) Helen Walker-Hill was affiliated with a school that I attended, and 2) that
same school in its past had a celebration of Black (mostly classical) music in
its history, but it does not anymore. This celebration happened in February,
however, the institute referred to February as Black Awareness Month. One such
celebration included a performance by the legendary Kathleen Battle. I was 11
years too late to witness this.
This line
of research also lead me quickly to believe that I was grossly unware of about
90% of the Black women composers about whom I read. Consequently, I constructed
a list of names in a word document, along with (very light) notes and
birth/death dates. This list includes over 200 names. My favorite part of this
list is that some of the names I added to it were names I came across before Ms.
Walker-Hill had her chance. Ms. Walker-Hill left this earth suddenly on August
8, 2013. At this time, however, there was not any update to any of her books or
research to include composers like Renee’ Baker, SerenaCreary, Pamela Z, and Nailah Nombeko, to name a few. It is good to know that
her line of work will continue to have a need, and her legacy will continue as
this scholarship develops.
(Stay tuned for part 2!, and We'd like to hear from YOU!)
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